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Fashion For Film

Get a behind-the-scenes look at making the costumes for the Artemis Fowl movie

Courtesy of Nicola Dove/Disney Enterprises, Inc.

Courtesy of Sammy Sheldon Differ

Samantha Sheldon Differ

This summer, kid genius Artemis Fowl hits the big screen. The movie is based on the popular book series by Eoin Colfer. After his father disappears, Artemis sets off on a quest to save him. On his journey, he enters a secret realm full of dwarves, leprechauns, goblins, and fairies. Bringing the beloved novels’ otherworldly cast of characters to life required clever costuming and creative CGI.

Luckily, Samantha Sheldon Differ was up to the challenge. For more than two decades, the costume designer has worked on movies including Ant-Man and X-Men: First Class.

This summer, kid genius Artemis Fowl stars in a new movie. It’s based on the popular book series by Eoin Colfer. The story begins when Artemis’s father disappears. Artemis sets off on a quest to save him. He finds himself in a secret realm full of dwarves, leprechauns, goblins, and fairies. Bringing these characters from the books to life took some creative costumes and computer graphics.

Luckily, Samantha Sheldon Differ was up to the challenge. She’s been a costume designer for more than two decades. She has worked on movies including Ant-Man and X-Men: First Class.

Creating costumes for Artemis Fowl was a unique challenge because few characters in the book had thorough descriptions of their outfits. “Creating Holly’s police uniform was especially difficult,” says Differ. The creative team only had a line from the book to work from.

Differ and her team designed the fairy police uniform with inspiration from nature. They used repeating patterns called fractals, like those that appear in fern leaves. In the novels, the fairy police have a protective layer of mesh covering their bodies. Differ and her team designed a fractal print that shifts color as you view it from different angles, creating the illusion of an electric current running through the fabric.

Creating costumes for Artemis Fowl was a unique challenge. The books didn’t describe most characters’ outfits in very much detail. “Creating Holly’s police uniform was especially difficult,” says Differ. The creative team only had one sentence from the book to work from.

Differ and her team took inspiration from nature to design the fairy police uniform. They used repeating patterns called fractals. These patterns appear naturally in fern leaves and other plant parts.

In the novels, the fairy police have a layer of mesh protecting their bodies. Differ and her team designed a special fractal print for the costume. It shifts color when you view it from different angles. This makes it look like electricity is running through the fabric.

Courtesy of Nicola Dove/Disney Enterprises, Inc.

Artemis (far right) and his friends (from left to right: Domovoi Butler, Holly Short, and Mulch Digums) get ready for adventure.

Holly’s retractable fairy wings also required a lot of research. To create wings that could fold up and unfurl, Differ and her team used a backpack to store the folded wings. “We looked into what kinds of insects start off with their wings in a small space and expand to a large space,” she says. The final unfurling process mimics insects like ladybugs, whose wings remain folded under a hard shell when they are not in flight. “We made the wings like tiny pieces of glass that form a window pane and then fold into a really small size,” she adds.

All the hard work paid off—Holly’s police uniform is Differ’s favorite costume from the film. “It fits her so beautifully,” Differ explains. “I’m hoping it gives the audience the flavor of the books.”   

Holly also has fairy wings that can unfurl and fold back up again. Creating these for the costume required a lot of research. “We looked into what kinds of insects start off with their wings in a small space and expand to a large space,” says Differ.

Eventually, they designed the wings to unfurl like those of ladybugs. These insects keep their wings folded under a hard shell when they aren’t flying. Differ and her team used a backpack to store the folded wings. “We made the wings like tiny pieces of glass that form a windowpane and then fold into a really small size,” she adds.

All the hard work paid off. Holly’s police uniform is Differ’s favorite costume from the film. “It fits her so beautifully,” Differ explains. “I’m hoping it gives the audience the flavor of the books.”

Solve the following mixed-skills questions about making the costumes for Artemis Fowl. Round answers to the nearest whole number. Record your work and answers on our answer sheet.

Solve the following mixed-skills questions about making the costumes for Artemis Fowl. Round answers to the nearest whole number. Record your work and answers on our answer sheet.

Differ’s team of 133 people worked on the costumes for Artemis Fowl. They spent 249,600 hours making the costumes over the course of 6 months. On average how many hours did each person spend working on costumes?

Differ’s team of 133 people worked on the costumes for Artemis Fowl. They spent 249,600 hours making the costumes over the course of 6 months. On average how many hours did each person spend working on costumes?

Holly’s police uniform was the most expensive and time-consuming costume to create. It cost at most $40,000. In addition to the main costume, 13 duplicates were made for stunt doubles and picture doubles. Each duplicate cost less than the original. Write an inequality using the variable c to express the total cost for all of Holly’s costumes.

Holly’s police uniform was the most expensive and time-consuming costume to create. It cost at most $40,000. In addition to the main costume, 13 duplicates were made for stunt doubles and picture doubles. Each duplicate cost less than the original. Write an inequality using the variable c to express the total cost for all of Holly’s costumes.

Holly’s costumes took a total of 7,200 hours to make. A team of 6 people worked on her costumes. What’s the ratio of hours worked per person to the total number of hours worked on Holly’s costumes in simplest form?

Holly’s costumes took a total of 7,200 hours to make. A team of 6 people worked on her costumes. What’s the ratio of hours worked per person to the total number of hours worked on Holly’s costumes in simplest form?

There were 170 leprechaun costumes, 150 background costumes, and 200 principal actor costumes. What percent were background costumes?

There were 170 leprechaun costumes, 150 background costumes, and 200 principal actor costumes. What percent were background costumes?

A. Another fairy costume required a rectangular piece of fabric 100 meters long by 48 inches wide. What was the area of the fabric in square meters? (Hint: 1 meter = 39.37 inches)

A. Another fairy costume required a rectangular piece of fabric 100 meters long by 48 inches wide. What was the area of the fabric in square meters? (Hint: 1 meter = 39.37 inches)

B. What was the area of the fabric in square feet? (Hint: 1 meter = 3.28 feet)

B. What was the area of the fabric in square feet? (Hint: 1 meter = 3.28 feet)

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